Martinů’s Juliette, BBC SO/Belohlávek

julietta_webTo the Barbican on Friday 27 March for a concert performance of Martinů’s opera Julietta, or rather ‘Juliette’, as it was given in Martinů’s own French (re-) translation – a slightly odd decision given that the conductor and some of the cast were Czech. Still, the effect of the French vocal declamation was to make the music more than usually reminiscent of Debussy’s Pelléas et Mélisande. Comprehension was ensured thanks to my friend Paula Kennedy’s scrupulous surtitles – which she would have been just as happy to do from Czech!

Kenneth Richardson provided a slick and effective ‘semi-staging’; singers basically wore evening dress and sang from scores, but the action was spiced up with minimal costumes and props, carefully thought out entrances and exits, and subtle lighting. American tenor William Burden was the tireless protagonist, the hapless Michel, who finds himself adrift in a land where no one can remember anything.  Magdalena Kožená was the appropriately distant and mysterious Julietta, looking lovely and vaguely 1930s in a floral frock.

Great character roles from a large cast including Jean Rigby and Rosalind Plowright, Roderick Williams and (outstanding) Andreas Jäggi.

Jiří Bělohlávek conducted the BBC SO in coruscating form – amazing colours and atmosphere. What an extraordinary score! I remember it from ENO in the 1970s (and from my Supraphon LPs), and its hypnotic power remains undimmed. It struck me as an amazing achievement to have written a full-length opera which is uniquely in his own idiom and no one else’s: apart from the echoes of Pelléas and the fact that the spooky opening bars are reminiscent of Stravinsky’s Les noces, one almost never felt ‘Oh yes, that bit’s Puccini, or Verdi, or Richard Strauss…’ as one does with all too many 20th century operas (including Britten!).

Martinů wrote the opera in 1936-7, to a play by his friend the French surrealist Georges Neveux. Martinů is probably an acquired taste, but I love his music. It’s the 50th anniversary of his death, so we are fortunate in getting more of it this year than we usually do.

Great to see a packed hall and so many luminaries in the audience – including, I was happy to see, Chris Hogwood, hotfoot from conducting the dress rehearsal of Dido and Aeneas + Acis and Galatea at the Royal Opera House only a few hours earlier (yes it was a long day).  I reminded Chris that it was he who introduced me to Martinů all those years ago (39 actually) at Cambridge Tech

There’s a nice review here: http://thoroughlygood.wordpress.com/2009/03/28/juliette-bbcso-belohlavek-martinu/

picture: front cloth from a Czech production of the opera

Advertisements
Explore posts in the same categories: concert halls, concerts, music, opera, orchestras, surtitles

Tags: , , , , , , , , , , , , , ,

You can comment below, or link to this permanent URL from your own site.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s


%d bloggers like this: