Posted tagged ‘Beethoven Piano Concerto No. 4’

Kensington Symphony Orchestra plays Martinu…

January 24, 2008

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…and wins! – I was tempted to say.

(And a nice picture of Martinů on the cover of the programme!)

Back to my favourite crucible, Cadogan Hall, on Tuesday for an extraordinarily interesting concert by the Kensington Symphony Orchestra.

The programme began with Stravinsky’s Symphonies of Wind Instruments – a  wonderful and truly original piece, written in memoriam Claude Debussy.  On first hearing, the music appears to be constructed of dozens of little fragments, like a mosaic, before it hits the final chorale which was Stravinsky’s initial reaction to Debussy’s death in 1918;  I was familiar with the much-quoted analysis by Edward T Cone, who realised that each fragment is part of a set of parallel ongoing developments, so every time a particular turn of phrase or instrumental idea comes round again, it has evolved slightly from where it was the last time you heard it.  But the illuminating KSO programme note by Peter Nagle (one of the cellists in the orchestra:  here’s a link to his own blog on the concert) also points out links between the structure of the piece and the Russian Orthodox burial service.  So the work is more of a requiem for Debussy than we knew.

The KSO gave a rich and sonorous performance, firmly held together by Russell Keable’s conducting. From where I was sitting (in cheapskate seats right at the back under the balcony – actually very good, apart from an intrusive pulsating hum [in G]  – lots of bass coming up through the wooden floor!) it sounded terrific, with colouristic details I hadn’t heard before, particularly from trumpets and horns.  My overall reaction was ‘What an ear Stravinsky had!’  How could he have known that THAT combination of oboes, cor anglais and trumpets at that moment would produce THAT unique sound…?  I don’t know what Debussy would have made of it, but as a tribute from one supreme master of sonorities to another, it is a tremendous piece, and the performance was resonant (in all senses) and most impressive.

Then came Beethoven’s 4th Piano Concerto – the one that, uniquely, begins with the piano on its own.  Very beautiful, accurate and characterful solo playing by Leon McCawley, no less;  great orchestral playing, and I was particularly struck by the impeccable woodwind intonation in the first movement.  My only quibble was with the cadenza:  I don’t have a score, and I confess I don’t know the piece well enough to know whether this was Beethoven’s fault or the soloist’s, but it seemed to go on as long as the rest of the movement, far outstaying its welcome and (I regret to say) actually sending me to sleep!  The slow movement – ‘Orpheus placating the Furies’ according to Liszt – was rock-solid, the bouncing finale appropriately jolly.  Very fine.

Then, after the interval – the reason I had come:  Martinů’s Fantaisies Symphoniques (Symphony No. 6)(more…)

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