Posted tagged ‘horn’

English Chamber Orchestra at the Wigmore Hall, 3 November 2011

November 6, 2011

Lovely ECO chamber concert at the Wigmore Hall on Friday. First, out trot a pair of girls with curly hair and lacy black frocks, looking for all the world like long-lost sisters… They are Stephanie Gonley (violin, highly accomplished leader of the ECO) and Katya Apekisheva (young Russian pianist, prize-winner at the Leeds Piano Competition, evidently a rising star). We are treated to Schubert’s A minor Violin Sonatina (D385), a work of extraordinary depth and subtlety by a 19-year-old composer. Exceptionally, they played both repeats in the first movement (which Schubert obviously intends you to do). Plenty of fire, passion and introspection – the slow movement was heavenly. Stirring performance of a terrific piece.

Then came Mozart’s Horn Quintet, K407, in which the solo horn is accompanied unusually by a string quartet consisting of one violin, two violas and a cello. Soloist John Thurgood was his usual poker-faced but impeccable self, playing with great wit and aplomb and enjoying the musical company of his colleagues as much as they were enjoying his. (We wondered if cellist Caroline Dale had forgotten her black dress? The only player not in black – but the bluey one she wore was very pretty.)

After the interval, Schubert’s ‘Trout’ Quintet, in an exceptionally spirited (i.e. fast) and lively performance – all great fun. Caroline Dale and viola player Jonathan Barritt would catch each other’s eye and grin hugely at crucial duetting moments. Stephanie Gonley led gamely from the front. My only quibble concerned the platform layout – pianist Katya Apekisheva seemed to be stuck at the back in a world of her own (though she managed some eye contact with Stephanie, and the ensemble was well-nigh faultless). Is there not some way of positioning the string players around the piano so that everyone can see everyone else, and we can see still see them? (Remember that Gerard Hoffnung cartoon…??)

Underpinning the whole performance was the velvety sonorous double bass of Stephen Williams – another poker-faced player, but one who evidently takes great pleasure in his role. He plays a huge, impossibly gorgeous and subtly decorated instrument by Gaspar de Salo, dating from the 1580s – which I thought was before double basses had been invented. A bit of a puzzle. (Oh, all right – cue for lecture about the double bass being a member of the Renaissance viol family and thus having older parentage than the upstart modern violin/viola/cello…)

Smashing evening – thanks for the tickets, Pauline! And thanks to Caro for joining us and for your luxurious hospitality over the Berlioz Weekend (which is another story…)

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Sorry, chaps

November 1, 2008

So many wonderful things since I last wrote – pressure of work and other activities has prevented me blogging them, much as I wanted to.  So here is a list of what I should have written about, for your edification and delight…

Covent Garden Chamber Orchestra concert, Saturday 4 October – especially the Schumann Konzertstück for four horns, magisterially played by Richard Lewis, Jo Towler, Duncan Gwyther and Liz Kadir.  Wow.

Haydn’s Creation at the Korean Full Gospel Church in Raynes Park, Sunday 12 October – lots of fun, the Koreans charming and lovely, my contra bottom B flat much appreciated!

The English Chamber Orchestra at Cadogan Hall, Wednesday 15 October – Tippett, Britten (Les Illuminations with stunning young soprano Mary Bevan), plus some works by Arab composers including the brilliant and hilarious Saxophone Concerto by Waleed Howrani – a perfect Last Night of the Proms piece?

Celebrity Recital at Cadogan Hall, Sunday 19 October – Emma Johnson, Julian Lloyd Webber, John Lill, surprisingly not a full house:  a treat of Beethoven and Brahms clarinet trios, the Weber Grand Duo Concertant, Julian playing two of his father’s pieces (with Andrew in the audience), and John Lill scorching our eyebrows off with the Chopin C minor Nocturne and the amazing Prokofiev Toccata

Rossini’s Matilde di Shabran at the Opera House, with Juan Diego Florez

Our very own Phoenix Orchestra concert (see previous post) on Thursday 23 October, especially the wonderful and inexhaustible Tom Poster in the Rachmaninov 3rd Piano Concerto

The Esbjerg Ensemble at Cadogan Hall, Sunday 26 October:  Nonet by Louise Farrenc, Poulenc’s Sextet for piano and wind (fantastic), the Schumann Piano Quintet (wonderful as ever).  Slightly dour Danish group, lifted to a higher plane by the tiny, sparky, beaming and incredibly accomplished pianist Marianna Shirinyan (who she??)

And the Brodsky Quartet at Cadogan Hall on Wednesday 29 October – Beethoven Razumovsky No. 1 (what a wonderful piece), Tchaikovsky Quartet No. 1, and two little Stravinsky numbers (Concertino and Three Pieces) which were spellbinding.

Now I’m off to rehearse contra in Boléro (don’t ask)…

Normal service one of these days!

thanks for the picture, Diana…

Endymion at Blackheath

January 27, 2008
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Up the road again this morning, to a Blackheath Sunday concert by ENDYMION (who seem to have misguidedly adopted a new logo which plays fast and loose with the Greek alphabet – no doubt a source of great distress to linguists everywhere, who are still trying to recover from ‘TOYS “YA” US’.  You’re not called ‘SNDPSMIPHN’, are you?  Well then).

The Burghers of Blackheath remain a mystery to me.  Some Sundays, they will collectively decide the concert is not for them, and there may be just a couple of dozen people huddled in the recital room.  Today they were out in force – almost a full house, chattering excitedly.  The average age seems to be about 150 (where will the next generation of audiences come from??), so there was much clattering of sticks and whistling of hearing aids before the music began.    Thereafter, however, you could hear a pin drop (well, actually you could hear an infuriatingly running tap or overflow somewhere, which didn’t get turned off until the interval).

The Endymion Ensemble (founded in 1979 by my dear friend, bassoonist John Whitfield), used to be resident at Blackheath Halls, with an office in the lobby.  Good to welcome them back.  Today’s incarnation consisted of Michael Dussek (piano), Krysia Osostowicz (violin) and Stephen Stirling (horn) – who, if I am not mistaken, was playing in Britten’s Midsummer Night’s Dream in the Linbury Studio at the Royal Opera House yesterday – busy fellow.

Beethoven’s last Violin Sonata (No. 10 in G, Op. 96) is so blithe and laid-back and generally un-Beethovenian that you catch yourself wondering ‘What did he mean by that?’  Nick Breckenfield’s programme note describes the first movement as ‘an intimate, relaxed, long-breathed soirée’ – which is nice.  His theory is that the Sonata was a ‘therapeutic’ response to Beethoven’s stormy relationship with the mysterious ‘Immortal Beloved’.

Krysia Osostowicz played the Sonata with an expression that flitted between rapt concentration and a beatific smile.  In the past, her sound has sometimes seemed to me to be a touch lean and stringy, but not today – rich, secure and expressive.  Perhaps she has a new fiddle?  For once, the Hall’s priceless jewel of a Bösendorfer grand sounded too plummy for Beethoven.  Maybe put the lid on the short stick (i.e. half open)?

Then we had György Ligeti’s Trio (1982) – strong meat (more…)